This is an edit i created by mixing different videos. Video credits belong to respective creators.
There is this one dialogue in the new Telugu movie ” Aravinda Sametha Veera Raghava ” directed by Trivikram Srinivas and Tarak as the protagonist which enlightens about the societal changes that come every generation. There will an idea or a person which will be a TORCHBEARER and change the course of history. That 4-5 minutes sequence is the most impactful cinematic movement in Telugu cinema in this year in my Opinion.
If you would like to download this video and others which were created in this process :
The fate of Andhra Pradesh is literally in doldrums. It feels sad that every political party is indulging in their own theatrics rather than fighting for good of the state.
The problem with the promises made to the state during its bifurcation in 2014 was that not all were actually promised legally. There are 3 different kinds of promises that Central Govt made to AP State government.
Incorporated in Ap Reorg act and said “Will Do”.
Incorporated in AP Reorg act and said “ Might do”.
Promises made orally in Parliament but not incorporated in the act and BJP given promises during Election campaign of 2014.
As one can understand by now, 2 and 3 cannot be fought legally and no body can be held accountable.
Coming to 1, the act is still vaguely written which can be interpreted in different ways.Revenue deficit is something which state govt and Central govt have to decide. AP govt used this liberty and made the number huge. No detailed technical logic is included in the act.
Institutes of National importance like NIT, AIIMS, IIM , Petroleum University – They are started just for namesake. No proper funds. Act only mentions Central govt will support. Whatever the support, it can be technically a support.
Funds to Capital city – Central govt is giving some which is not sufficient.
The confusion arises from
Lack of proper detailing in AP Reorg act
Lack of understanding that all promises were actually not made .
Political game plan by both TDP and BJP to get stronghold in AP.
That is why, so many committees are required to actually assess what was promised and how much. A classic case of how public policy can be misused for political gains.
Pawan Kalyan has initiated a Joint Fact Finding Committee with esteemed people like Dr Jayaprakash Narayan and others to first assess the kind of promises made and what Central Govt owes to state.
My Review–cum-Rating-cum-Analysis-cum-Criticism of #AttarintikiDaaredi
Trivikram cinema elaa vundi ani adagadam Avivekam !!!
Pawan Kalyan ela chesaadu ani adagadam Amaayakatvam !!!
Samantha saree lo entha baagundi ani adagadam Sillythanam !!!
There are two hurdles if you want to watch a Pawan Kalyan movie on first day. First, you need to get tickets . There are celebs and even actors in that film couldnt get tickets. Second, you need to be in a theatre which can make you watch full screen and understand the dialogues especially when the movie is of MatalaMantrikudu Trivikram. You know what iam talking about .Yes,about the high flyers and the screams .Even the Prasads Multiplex is not an exception for this Power phenomenon. Atlast, got the tickets and watched it. “Aa kicke Verabba”
First of all hatsoff , to all the Power fans who put extreme restraint in not watching the pirated print which came out .Only PowerStar can pull such an openings even half the cinema is out in advance. “Bayatapadindi Breakfast maatrame , Full meals full screen meede”
Net lo print undi, Nalabai nimishaallo download autundi , ainaa Naalugu rojula taruvaata theatre lo Choodadame Pawanism
Caution : Spoilers ahead !!
The best unnoticed part of Trivikram movies is that Casting is perfect and that actors do it with more ease than any of their previous films.Boman Irani debuts in telugu and who can do the “Devil is Back” scene with that eye winking so elegantly as Boman Irani . Welcome Sir to Telugu Cinema. Who else can pull off the ‘Atta’ character with so much completeness as Nadiya and who else can fit the bill so brilliantly as Kota Srinivasa rao as Siddappa to give that rustic look. Pranita , like a beautiful Bapu Bomma and Samantha , so mesmerizing in that saree and so hypnotic in that song “Ninnu Choodagane” . A tailor made role for Pawan Kalyan and he pulls off movie on his shoulders with so ease that he brings out all his emotions of Tholiprema,Tammudu and his rusticness of GabbarSingh and his elegance of Badri and Jalsa.”Oka Gaddam geesukunna Simham , Oka gaddam geesukoni simham kalisthe … “
Writing and execution of script was top notch and the scenes of PawanKalyan joining as driver and pre-interval revelation discussion were great. I dont want to reiterate the heartwarming Climax as the best in career of Pawan Kalyan. The scene where Nadiya asks to fill up full tank and Pawan Kalyan taking keys without any hesitation which was used to bring out the interval point, satisfied the critic in me.”Prekshakula Staayini Penche Darshakudu Trivikram” . Dialogues are as usual thought provoking and spell bounding.
The attapur baba with Kevv Keka parody takes the front benchers to screendancing and Ahalya Amayakuralu with Katamarayuda song episode takes the movie to the peaks. Music and BGM are like the soul of this film and Deva devam song in background when hero enters the house is so traditionally apt.Editing of flashback is so picturesque and drove movie whenever needed.That fighting of Rajini style jelled well with the situation and i think only Pawan Kalyan can do that. Thanks for reminding the 90s,80s movies once again .
That scene where Gaganapu song starts and Pawan Kalyan and Mukesh Rushi walks oppositely was so brilliantly taken and that scene where Nadia mentions that family members are dead and Pawan kalyan walks out , only Nadiya watches Sidhu; just Brilliant taking Just before interval, when Nadiya says if these things are planned, you are bad and watch Pawan kalyan histronics change ; Excellently orchestrated. That moment when Nadiya asks Pranita and Samantha to get dressed better and Nadiya dances in joy; splendid to watch. .In the entire movie, Pawan kalyan doesnt argue with Nadiya . And special thanks to Trivikram sir for having two intro songs which gets amplified with telugu words usage.I actually found out word by word meaning of KatamaRayuda, Deva devam and Gaganapu song . I believe “Narthana shouri means Shiva Thandavam ”
But Guruji, why did Pranita hug/flirt with Pawan Kalyan when she is not in love with him and couldnt Samantha be a little serious when her marriage with Siddappa son is announced.Even though he is mega business magnet, making railway station empty in 15 min is a little overboard. – . My complaints also include that BASCAR Brahmi could have come on to pitch a little earlier and given more time like in Julayi. And why on earth did the cutest episode of Bava-Maradalu end so soon. 🙁 “Alternate ideas lekapothe criticise cheyakudaduroy ” antaara guruji .. aithe wokay.”
“Family mottam kalisi Cinema choodalante cinemaaalu leni eerojullo , generations kalisi choodagala cinema teesinanduku Trivikram gaariki; thana image ki oka family entertainer tho kooda meppistunna Pawan Kalyan ki , Shatakoti shataabhivandanaalatho , Oka Abhimani “
Say NO TO PIRACY.
If you found any download links on the internet please forward them to the following email ids. avpc_hyd@.yahoo.co.in (or) email@example.com Else you may also provide the information by calling the below phone number. Ph: Toll Free No- 1800 4250 111 (or) Mobile No. 9490164545.
“Mahesh babu cinema release aithe smart gaa unnada ani adugutaaru, jr ntr cinema release aithe dialogues baaga cheppada ani adugutaaru, allu arjun cinema release aithe dance baaga chesaada ani adugutaaru, prabhas cinema release aithe fights baaga chesaada ani adugutaaru…ade pawan kalyan cinema release aithe tickets dorikaaya ani adugutaaru..”
this was my position when I wanted to watch this movie on this Friday. At last got ticket for 11 45 AM prasads after long struggle.
“ Cinemaki vachina vaadu plate meals kaadu, panchabaksha paramaannaltho velataadu “ . Director Harish Shankar has said this in audio function and its perfectly true in case of all pawan kalyan fans .
This movie rating depends on two factors, one, are you a fan and have u watched dabanng.My ratings for gabbar singh is as below.
Fan and watched dabanng – 5
Fan and not watched dabanng – 4.9
Not a fan and watched dabangg – 4.3
Not a fan and not have watched dabangg – 4
Overall it’s a great treat to watch pawan kalyan in a tailor made role.
Story is crisp and screenplay is tight. Taking is good and dialogues are awesome. Shruti Hassan role was utilised appropriately and not much to disappoint the ppl who think she doesn’t suit the role. All characters were etched properly.
Songs came at right time and was a treat to watch. Pilla song is the highlight of the film.Fights were choreographed good and not boring. Locations are scenic.A visual treat for all fans when pawan kalyan proved himself to be a decent enough dancer.
Those who haven’t watched should kindly stop here !!!Spoilers ahead.!!!!!
Having watched dabangg , it’s a treat to guess the next step and see whats eliminated and what was retained. Director has retained all the best part of Dabangg and which suits Pawan kalyan. For example, the intro fight of Dabangg would not have suited here and it was changed to suit telugu audience. The minister character was stretched and lover of brother character was removed. Father of heroine was not killed and reformed at the end . Climax was simple and clear. The interval fight was more apt in telugu version. Saying sorry to brother scene, hospital scene with father was same and was needed to put movie in right track. The marriage scene was made suitable to Telugu audience and more believable. Title was totally justified in first few minutes and movie was tracked all along with
The high point scenes of movie are Antakshari, Muta meshtri scene , marriage proposal scene,hospital scene with father, marriage scene ,brother tries to kill scene and the awesome-est recovery scene with pawan kalyan cutout. “content unnodiki cutout chaalu “ , “nenu aaaksam laantodini”, “naaku nene poti” , “nenu trend ni follow avvanu ,set chesta “ , “gabbar singh ki faujiyo “ ,”arey o samba “, “eega vaalithe meeru choosukondi, migataadi nenu choosukunta”, “ Jo dhar gaya samjho mar gaya” ,” Aa song vachi padellaindi” and the best “ naakkonchem tikkundi.. daaniko lekkundi “ … Every scene has one punch dialogue and some occasional thoughtful ones. Kondaveedu as location was totally apt , was wondering how this would be handled in telugu version.
The scene with doctor where he reverts his father position saying only midly critical reminds us the present doctors in hospitals. “ Meeru maatladataaniki mike unte saripotundi, nenu maatladaaniki saakshaalu, proofs kaavali “ takes a dig at the present reckless media. The imitation of Jeevita Rajasekhar with Rose rose roja puvva in antakshari and subsequent dialogues are a desert for the fans.
Some titbits :
1) The Harati character is portrayed by none other than Appu of happy days J
2) All scenic locations are from Pollachi , kerala.
3) Suhasini and Shruti Hassan are sisters in real life 😛 ( Suhasini maniratnam is the daughter of kamal Hassan brother, charu Hassan )
The only drawbacks I could feel was intro fight and a bit of intro song, dil se song starts abruptly and no necessity of kevv keka song as per story.
PS- Well, this is what I figured after watching it 2 times, one more planned this week. May something more comes up.
PPS- Gabbar singh is rocking box offices all over the world.US weekend collections are of 600k $ for only reported screens.On Day1 itself, all distributors and financiers have been recovered .On way to smashing records.
To be released on May 18th, “Daruvu” ki already daruvu modalaindi and “Endukante Premanta “ is thinking of “Endukanta releaseanta “ as theatres are not expected to be free. “Eega “ might also need to fly a little bit more to accommodate and stand alone extending by may 30.