THE Bahubali !!!

I am not sure of superlatives to describe the grandeur experience titled as “Bahubali : The beginning “ . Its probably an experience i have never felt on a big screen . There were times when i watched 300 or gladiator or Benhur but this is something special and more importantly natively different. Its probably a perfect match to Hollywood’s grandeur and Indian cinema’s tales and story telling .This film was weaven like childhood chandamama stories and comic books and showcased on a canvas where it was what a normal person can imagine . After the film , there is only one thing which everyone might say “ Bow to Rajamouli for his vision and execution “ .

BahubaliOne cannot miss such extravaganza on an Indian screen. Rajamouli known for his larger than life characters in the movie has taken this to many levels high .One cannot be nothing; but be in awe of Prabhas’s Bahubali intelligent and physical strength, Shrewdness and Ruthlessness  of Rana’s BhallalaDeva , Regalness of Ramyakrishna’s Sivagami, Loyalty of Satyaraj’s Kattappa, Beauty of Tamannah’s Avantika , Irreplaceable Nazar’s Bijjaladeva and  Subdued anger of Anushka’s Devasena characters . Music by MM Keeravani is probably the biggest asset closely followed by VFX . Never before on an Indian screen was such a idea was constructed to such close perfection.

Spoilers below :

1The goosebumps start when Sivagami calls “Parameshwara “  while asking to save the child ;  raises a level when Bahubali lifts SivaLinga and places under falls ;   gets a fast tempo when the avalanches start and Bahubali- Avantika escapes in a James Bond style , moves on to another level of cinematic experience when a living king gets his statue erected with crowd chanting his rival’s name loud & reverberating , makes the heart rush when Katappa takes Bahubali foot on his head , pumps up when Sivudu screams “Nenu evarini ” , gets us stuck to the seat watching the war strategies, war weapons, war commands , takes us to the battlefield with Bahubali and Bhallaladeva , ends only when the stamp of SS Rajamouli appears on the screen.

Ramya Krishna reminded Neelambari of Narasimha and did a one level above performance with “ Ide naa maata, Naa maate Shaashanam “ . Rana cannot be acknowledged in words and we cannot even think of anyone who can does this character so awesomely ferocious . That two glances Anushka gives when katappa calls her mad and when crowd chants Bahubali are enough to make her impact in the film. Tamannah sizzles as the warrior princes and gets us awestruck when she starts pushing the sword into solider’s heart  I dont know how can one portray Bahubali with so intensity and so subtlety as Prabhas can . There cannot be words for this performance .

VFX made sure our fantasies are as fantastic as possible with background music backing the vision so awesomely that we are in a different world and traveling in a universe called “Bahubali “ .

There are some moments in movie where you cannot stop applauding the storytelling craft of the director and gets enthralled in being part of an experience never before. No one else can put an item song in such a film making it so beautifully choreographed, that tight moment you know when Bhallaladeva leaves the rope but that cannot be the end  , that second you know if Bahubali kills Kalakeya , story would be too plain , that subtle humour between Bahubali and Bhallaladeva which can go wrong and many like that

War scenes makes you revere the film with the weapons you can only imagine , strategies you can only envision and action sequences choreographed like you cannot even think of. And he made it to draw inspiration from lots of things we know ; having Devasena captured like Sita and not giving up hope  , Kalakeyas as some kind of Rakshasas (Or as Wildings from Game of Thrones ) , Bhallaladeva as ferociously strengthy as Ravana or Dhuryodhana , Kattappa as ever obedient Bheeshma (or as slave warriors of Game of Thrones ) .

Rajamouli has ensured people be interested and wait with more excitement for next installment by having the unthinkable twist at the end .

Jai Mahishmathi !!! Jai Bahubali !!!

The Devils are Back !!!

My Review–cum-Rating-cum-Analysis-cum-Criticism of #AttarintikiDaaredi

Trivikram cinema elaa vundi ani adagadam Avivekam !!!

Pawan Kalyan ela chesaadu ani adagadam Amaayakatvam !!!

Samantha saree lo entha baagundi ani adagadam Sillythanam !!!

There are two hurdles if you want to watch a Pawan Kalyan movie on first day. First, you need to get tickets . There are celebs and even actors in that film couldnt get tickets. Second, you need to be in a theatre which can make you watch full screen and understand the dialogues especially when the movie is of MatalaMantrikudu Trivikram. You know what iam talking about .Yes,about the high flyers and the screams .Even the Prasads Multiplex is not an exception for this Power phenomenon. Atlast, got the tickets and watched it. “Aa kicke Verabba”

First of all hatsoff , to all the Power fans who put extreme restraint in not watching the pirated print which came out .Only PowerStar can pull such an openings even half the cinema is out in advance. “Bayatapadindi Breakfast maatrame , Full meals full screen meede”

Chetilo katti undi eduruga Champalsina manishi unnadu , ainaa champakapovadame Maanavatvam ( from Jalsa)

Net lo print undi, Nalabai nimishaallo download autundi  , ainaa Naalugu rojula taruvaata theatre lo Choodadame Pawanism

Caution : Spoilers ahead !!

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The best unnoticed part of Trivikram movies is that Casting is perfect and that actors do it with more ease than any of their previous films.Boman Irani debuts in telugu and who can do the “Devil is Back” scene with that eye winking so elegantly as Boman Irani . Welcome Sir to Telugu Cinema. Who else can pull off the ‘Atta’ character with so much completeness as Nadiya and who else can fit the bill so brilliantly as Kota Srinivasa rao as Siddappa to give that rustic look. Pranita , like a beautiful Bapu Bomma and Samantha , so mesmerizing in that saree and so hypnotic in that song “Ninnu Choodagane” . A tailor made role for Pawan Kalyan and he pulls off movie on his shoulders with so ease that he brings out all his emotions of Tholiprema,Tammudu and his rusticness of GabbarSingh and his elegance of Badri and Jalsa.”Oka Gaddam geesukunna Simham , Oka gaddam geesukoni simham kalisthe …  “

Writing and execution of script was top notch and the scenes of PawanKalyan joining as driver and pre-interval revelation discussion were great. I dont want to reiterate the heartwarming Climax as the best in career of Pawan Kalyan. The scene where Nadiya asks to fill up full tank and Pawan Kalyan taking keys without any hesitation which was used to bring out the interval point, satisfied the critic in me.”Prekshakula Staayini Penche Darshakudu Trivikram”  . Dialogues are as usual thought provoking and spell bounding.

The attapur baba with Kevv Keka parody takes the  front benchers to screendancing   and Ahalya Amayakuralu with Katamarayuda song episode takes the movie to the peaks. Music and BGM are like the soul of this film and Deva devam song in background when hero enters the house is so traditionally apt.Editing of flashback is so picturesque and drove movie whenever needed.That fighting of Rajini style jelled well with the situation and i think only Pawan Kalyan can do that. Thanks for reminding the 90s,80s movies once again .

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That scene where Gaganapu song starts and Pawan Kalyan and Mukesh Rushi walks oppositely was so brilliantly taken and that scene where Nadia mentions that family members are dead and Pawan kalyan walks out , only Nadiya watches Sidhu; just Brilliant taking Just before interval, when Nadiya says if these things are planned, you are bad and watch Pawan kalyan histronics change ; Excellently orchestrated. That moment when Nadiya asks Pranita and Samantha to get dressed better and Nadiya dances in joy; splendid to watch.  .In the entire movie, Pawan kalyan doesnt argue with Nadiya . And special thanks to Trivikram sir for having two intro songs which gets amplified with telugu words usage.I actually found out word by word meaning of KatamaRayuda, Deva devam and Gaganapu song . I believe “Narthana shouri means Shiva Thandavam ”

But Guruji, why did Pranita hug/flirt with Pawan Kalyan when she is not in love with him and couldnt Samantha be a little serious when her marriage with Siddappa son is announced.Even though he is mega business magnet, making railway station empty in 15 min is a little overboard. – . My complaints also include that  BASCAR Brahmi could have come on to pitch a little earlier and given more time like in Julayi. And why on earth did the cutest episode of Bava-Maradalu end so soon.  🙁  “Alternate ideas lekapothe criticise cheyakudaduroy ” antaara guruji .. aithe wokay.”

“okka koorala uppu ekkuvaindani Bhojanam cheyadam maanestaama , migata avakaya, guttonkaayi,payasam aasvadistaam” 

“Family mottam kalisi Cinema choodalante cinemaaalu leni eerojullo ,  generations kalisi choodagala cinema teesinanduku Trivikram gaariki; thana image ki oka family entertainer tho  kooda meppistunna  Pawan Kalyan ki , Shatakoti shataabhivandanaalatho , Oka Abhimani “

Say NO TO PIRACY.

If you found any download links on the internet please forward them to the following email ids. avpc_hyd@.yahoo.co.in (or) ad@apfilmchamber.com Else you may also provide the information by calling the below phone number. Ph: Toll Free No- 1800 4250 111 (or) Mobile No. 9490164545.

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