This is an edit i created by mixing different videos. Video credits belong to respective creators.
There is this one dialogue in the new Telugu movie ” Aravinda Sametha Veera Raghava ” directed by Trivikram Srinivas and Tarak as the protagonist which enlightens about the societal changes that come every generation. There will an idea or a person which will be a TORCHBEARER and change the course of history. That 4-5 minutes sequence is the most impactful cinematic movement in Telugu cinema in this year in my Opinion.
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My Review–cum-Rating-cum-Analysis-cum-Criticism of #AttarintikiDaaredi
Trivikram cinema elaa vundi ani adagadam Avivekam !!!
Pawan Kalyan ela chesaadu ani adagadam Amaayakatvam !!!
Samantha saree lo entha baagundi ani adagadam Sillythanam !!!
There are two hurdles if you want to watch a Pawan Kalyan movie on first day. First, you need to get tickets . There are celebs and even actors in that film couldnt get tickets. Second, you need to be in a theatre which can make you watch full screen and understand the dialogues especially when the movie is of MatalaMantrikudu Trivikram. You know what iam talking about .Yes,about the high flyers and the screams .Even the Prasads Multiplex is not an exception for this Power phenomenon. Atlast, got the tickets and watched it. “Aa kicke Verabba”
First of all hatsoff , to all the Power fans who put extreme restraint in not watching the pirated print which came out .Only PowerStar can pull such an openings even half the cinema is out in advance. “Bayatapadindi Breakfast maatrame , Full meals full screen meede”
Net lo print undi, Nalabai nimishaallo download autundi , ainaa Naalugu rojula taruvaata theatre lo Choodadame Pawanism
Caution : Spoilers ahead !!
The best unnoticed part of Trivikram movies is that Casting is perfect and that actors do it with more ease than any of their previous films.Boman Irani debuts in telugu and who can do the “Devil is Back” scene with that eye winking so elegantly as Boman Irani . Welcome Sir to Telugu Cinema. Who else can pull off the ‘Atta’ character with so much completeness as Nadiya and who else can fit the bill so brilliantly as Kota Srinivasa rao as Siddappa to give that rustic look. Pranita , like a beautiful Bapu Bomma and Samantha , so mesmerizing in that saree and so hypnotic in that song “Ninnu Choodagane” . A tailor made role for Pawan Kalyan and he pulls off movie on his shoulders with so ease that he brings out all his emotions of Tholiprema,Tammudu and his rusticness of GabbarSingh and his elegance of Badri and Jalsa.”Oka Gaddam geesukunna Simham , Oka gaddam geesukoni simham kalisthe … “
Writing and execution of script was top notch and the scenes of PawanKalyan joining as driver and pre-interval revelation discussion were great. I dont want to reiterate the heartwarming Climax as the best in career of Pawan Kalyan. The scene where Nadiya asks to fill up full tank and Pawan Kalyan taking keys without any hesitation which was used to bring out the interval point, satisfied the critic in me.”Prekshakula Staayini Penche Darshakudu Trivikram” . Dialogues are as usual thought provoking and spell bounding.
The attapur baba with Kevv Keka parody takes the front benchers to screendancing and Ahalya Amayakuralu with Katamarayuda song episode takes the movie to the peaks. Music and BGM are like the soul of this film and Deva devam song in background when hero enters the house is so traditionally apt.Editing of flashback is so picturesque and drove movie whenever needed.That fighting of Rajini style jelled well with the situation and i think only Pawan Kalyan can do that. Thanks for reminding the 90s,80s movies once again .
That scene where Gaganapu song starts and Pawan Kalyan and Mukesh Rushi walks oppositely was so brilliantly taken and that scene where Nadia mentions that family members are dead and Pawan kalyan walks out , only Nadiya watches Sidhu; just Brilliant taking Just before interval, when Nadiya says if these things are planned, you are bad and watch Pawan kalyan histronics change ; Excellently orchestrated. That moment when Nadiya asks Pranita and Samantha to get dressed better and Nadiya dances in joy; splendid to watch. .In the entire movie, Pawan kalyan doesnt argue with Nadiya . And special thanks to Trivikram sir for having two intro songs which gets amplified with telugu words usage.I actually found out word by word meaning of KatamaRayuda, Deva devam and Gaganapu song . I believe “Narthana shouri means Shiva Thandavam ”
But Guruji, why did Pranita hug/flirt with Pawan Kalyan when she is not in love with him and couldnt Samantha be a little serious when her marriage with Siddappa son is announced.Even though he is mega business magnet, making railway station empty in 15 min is a little overboard. – . My complaints also include that BASCAR Brahmi could have come on to pitch a little earlier and given more time like in Julayi. And why on earth did the cutest episode of Bava-Maradalu end so soon. 🙁 “Alternate ideas lekapothe criticise cheyakudaduroy ” antaara guruji .. aithe wokay.”
“Family mottam kalisi Cinema choodalante cinemaaalu leni eerojullo , generations kalisi choodagala cinema teesinanduku Trivikram gaariki; thana image ki oka family entertainer tho kooda meppistunna Pawan Kalyan ki , Shatakoti shataabhivandanaalatho , Oka Abhimani “
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